ANGKOT ALIEN SPACE PATROL TEE

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Nitwit! Blubber! Oddment! Tweak!

Dear Frizzy Hair,

Hope this card finds you well when you are not attired with sleeping blindfolds like this time.
I would like to say thank you for travelling with me, I was all peculiarly remarkably fun, a quite a lot things I never thought of. Though, I strangely object to the noisy behaviour of yours, snoring.

In few days I will be away for two months, during that time, we might lose our propinquity and we might become stranger as before. Yet, I take an odd delight to see wrinkles on your face increased.

Here I consider to disclaim this to be a quite nice in letter, enclosed in this Momoko Sakura's illustrated card. Please accept my sincere apologies of these poor handwritings on the train and my unfavourable silly immature chromosome that annoys you so often.

Nitwit! Blubber! Oddment! Tweak! epoch entirely occur stranger than fiction. Speak to you through wee language.

Sincerely strange,

NGT

Postmortem Remould

Tongue and eyes protrude, I am just a piece of meat and so are you.

Sneak Peek to Sonotanotanpenz MV by Natasha Gabriella Tontey

Sonotanotanpenz is Hitomi Itamura and Hitomi Moriwaki from Fukuoka. I met them for the first time during my residency in Koganecho Bazaar 2015, Yokohama, where I invite them to collaborate as part of my artwork Little Shop of Horrors. This year, they came to Indonesia to meet me and ask me to make music video for them.

Upcoming collaboration with Rafaella McDonald (Melbourne, AU) on Next Wave Festival 2016

At your peril

Thy breath stinks with eating toasted cheese

Thy wit's as thick as tewsbury mustard

Feeling like corpse because doctor put some fabrics in my nostril 

The pain in the head at your peril

I wish to grow strawberry seeds on your face

口笛が聴こえる

♥ ☆ happy unbirthday in tokyo disneyland and tokyo disney sea ☆♥

大阪

 

Hypochondria

Hypochondria
1 x 1 meter x 4 pcs
at Body Festival Ruangrupa

This notion is actually discovering what is simmering in someone’s subconscious means that pain and fear is more like a necessary rather the truth than it is articulating.

Questioning the art within the sense of touch, inviting the spectators to walk in the artwork itself. Will the visual affect the sense of touch? Will someone get bother of it?

I myself find it interesting that in this piece spared the conundrum of the fear and the sense of touch.  I must confront: that is my first attempt of making an interactive/touchable work, the question of how one even approaches what kind the ‘right’ method of presenting art?

Throughout developing this piece, it was something I personally worried over – the question of becoming a merely visual piece or not – I would have said no, not really. Spectators are invited to walk in this piece, to feel pain, to be tickled, and to feel.

Lintang & Ferry's Wedding

My recent project for my good friend's wedding Lintang & Ferry. I made some collage for them that applied on this kit. The request was to make a peranakan inspired wedding invitation, that's why I used lots of red and poppy flower for the pattern that represent happiness and prosperity in Chinese culture. This wedding kit consists of Invitation card, RSVP Postcard, The Guidebook, Tea book, and a website (I'll post it soon).

The Invitation Card

Done with letterpress

The Official Guidebook to the Wedding of Lintang & Ferry

 

The Envelope

 Patterns galore

The Process

 The letterpress zinc

 The offset plates