Apple Cart Festival 2011

The  Apple Cart Festival aims to create a kaleidoscopic, colourful playground for adults and childrens alike. The festival took a place on a leafy, tree-lined part of Victoria Park, whereas 'twas a new boutique day out boasting everything from Mercury winning musicians, awards garnering comedians, conjuring Magic Circle members, interactive art happenings, family friendly village fete fun plus gourmet food to feast on and real english ale to sup.

'twas jaw-droppingly fascinating event I ever seen for I am a big fan of the House Fairy Tale (uniquely child-centred, organisation for all ages) and for this time House of Fairytales' artists Deborah Curtis and Gavin Turk brought their interactive candlelit Matinee exclusively to this festival and Art Car Boot Fair had driven over from their roaming vintage store for those who fancy buying a new (old) trock, Venn Street Market have everything from hog roast to Vietnamese bahn-mi.

Ah yes.. Badly Drawn Boy made my day!

Me and Mum

Badly Drawn Boy

The House of Fairytales' Booth

Patrick Wolf

Art Cart Booth Fair

The Venn Street Market

The Dreamers' Truck

The Spanking Post

‘The Stuff of Nightmares’ at V&A Museum of Childhood

Storytelling was an important form of popular culture for both adults and children before books became so widespread. The Brothers Grimm collected folk and fairy tales in order to preserve in oral tradition. They first published their collection of Germanic and French stories as the Grimms' Fairy Tales in 1812. The original ales were dark and sinister, depicting worlds populated by witches, trolls, goblins, and wolves, and were quite explicitly violent. Subsequent versions became somewhat sanitised for a child audience and many of the stories underpin the narrative of contemporary children's literature and film. But when re-told to children fairytales' often assume an air of innocence. Good always triumphs over evil, heroes are selfless and love is everlasting. Some fairy tales however, explore the darker side of a child’s imaginary landscape.

Some critics view the stories as gruesome, politically incorrect tales that we should protect our children from. There are very few decent adult role models and often the 'good' characters inflict some vicious form of retribution on their oppressors. Other argue that the imaginative world opened up by fairy tales allows children to escape the tedium of everyday reality and indulge in fantasies of defeating giants ogres, and monsters.

Bruno Bettleheim, the child psychologist, saw a theraupetic value in their dark subject matter. He believed fairy stories equipped the child with the tools to navigate an adult dominated world and develop survival strategies for dealing with the emotional turmoil of life. Perhaps children benefit from exposure to fear? By confronting the 'too eerie' detail of these ancient tales, they might learn some important life lessons.

The Museum’s Front Room Gallery is transformed into a sinister forest where anything might happen, the dark setting for a re-telling of the fairytale's, a tale of abduction, fear, evil old women, revenge and ultimately, friendship. The installation were made by local school children working with artists, sits alongside work by Katherine Tulloh, Ruth Weinberg, Daniel Bell, and Sharon Brindle, which take a closer look at the playthings of innocents. The exhibition held from 26 July 2011 until 26 February 2012.

The Dolls of the Criminals